A figure walking on a hot day. Acrylic on a gessoed birch panel 10x8x0.75 ins. I used a palette knife and brushes here to try and get the impasto effects I wanted.
Tuesday, 12 September 2017
Wednesday, 30 August 2017
Tuesday, 15 August 2017
One of the very first paintings that I admired, was a Vermeer, The Milkmaid. The colours, light and shadow and the simplicity of a domestic scene, wonderful. My interest in art continued and I discovered chiaroscuro, particularly the works of Caravaggio and Rembrandt since then. My little painting today is a watercolour study of a woman knitting sitting in a chair. The palette is muted and little detail. 8x10 ins.
Tuesday, 1 August 2017
Where is that taxi? Two ladies waiting anxiously for a taxi to come by. When I am out and about I am always on the lookout for interesting subjects and people. This little watercolour study 10x9 ins on the reverse side of a piece of Waterford Saunders watercolour paper. I tend to use heavier pigment washes, with less water when it comes to this type of paper. The reason being, that the painting can be done in one go without any further washes.
Tuesday, 25 July 2017
Shade. A couple sheltering from the hot sun. A muted palette despite the bright light. I just wanted to depict the shadows cast by the umbrella with light catching some area, keeping it simple. The figure of the woman is mostly one colour, thalo blue and ultramarine. Oil impasto using a palette knife on cotton canvas board 18x24 cm, approx 7x9ins.
Tuesday, 4 July 2017
Using mixed media is a great way to experiment and stimulate the creative process. I use acrylic with watercolour on occasions to creat an effect or see where I can go with a piece. One can use pastels with watercolour and acrylic as well. Some artists start a painting with thin layers of acrylic underpainting and then use oil paint for the subsequent layers. It all depends on what suits, but do not be afraid to try new things. The painting below is acrylic with some watercolour washes on top 7x10 ins.